Hit and Run Review

Hit and Run
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I read this book three years ago and I'm still laughing.
Griffin & Masters have created THE required reading book on everything that is wrong with Hollywood. They were able to tell the inside stories of multi-million dollar deals and make them understandable. Jon Peters, a barely literate hairdresser who happened to be friends with Barbara Streisand, and his business partner Peter Guber schmoozed their way through the 80s and were picked by Sony to run their newly acquired Columbia/Tri-Star pictures. Billions of dollars in losses later (Last Action Hero, I'll Do Anything) they got kicked out.
It is really an incredible story. If it was fiction, you'd think it completly impossible to believe, but it is all true.

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Paris to the Past: Traveling through French History by Train Review

Paris to the Past: Traveling through French History by Train
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Wall Street Journal, June 18, 2011
Text By TOBIAS GREY
'Let us Hurry to love the little train," wrote the French poet Guillaume Apollinaire. And, with first class tickets en poche, a cozy apartment in Paris to return to and a Pulitzer Prize-winning husband to bounce ideas off at the end of each day, Ina Caro can be forgiven for following suit.
An American more accustomed to the dozy Acela, she delights in being able to "take a train from Paris, travel century by century"--often as far afield as Tours, almost 250 kilometers away--"and be back in Paris each night, usually in time for dinner." Taking in tow her biographer husband "Bob" (that's Robert Caro of "The Power Broker" fame to you and me), Ms. Caro makes for a keen, if sometimes breathless guide to monarchical France and its architecture in this follow-up to her car-bound "The Road from the Past: Travelling through History in France" (1996).
Her method, simplicity itself, is to map out her travel itinerary chronologically. The reader, instead of wading through a jumble of dates and fragments of history thrown together indiscriminately, is taken on 25 one-day train trips departing from Paris. Together the sites--all accessible by Metro, commuter rail, or France's high-speed TGVs (Train à Grande Vitesse), which travel at speeds in excess of 200 miles an hour--trace the history of France from the reign of King Louis VI ("The Fat") through the French Revolution and into the post-Napoleonic age. "Unlike the time traveler in Michael Crichton's book 'Timeline,' I didn't need to be faxed to the Middle Ages," writes Ms. Caro. "I could take the TGV from Paris."
Ms. Caro starts her history just a short metro ride out of Paris to the 12th-century basilica of Saint-Denis, the traditional burial place of the kings and queens of France. It was here, she notes, that Abbot Suger, subsequently dubbed the father of the Gothic Cathedral, "first pierced the solid stone walls of the dark ages to create the world's first rose window so that jewelled light would shine on and glorify the king [Louis VI] he wished to raise above all men."
Suger, a dumpy little man who was born a peasant but somehow rose to become an abbot at a time when "social mobility did not exist in France," is just the first of many fascinating historical characters we meet in "Paris to the Past." These include not only the usual suspects--Joan of Arc, Marie Antoinette, Napoleon I--but less well-known figures.
We learn that the imposing 13th-century fortress in Angers (more than 200 miles away from Paris, but accessible thanks to the TGV) was built by Blanche de Castille, Louis VIII's cruel and dynamic wife, who served as regent to Louis VI (St. Louis).
Nicolas Fouquet (Louis XIV's spendthrift superintendent) created Vaux-Le-Vicomte, the picturesque 17th-century chateau off the RER commuter rail. Entering, Ms. Caro writes, is "like walking inside a many-faceted jewel."
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A train prepares to depart Paris's Gare du Nord.
.The personalities jump off the page, none more so than Louis XIV, whose superannuated yearning for his second (and secret) wife, Madame de Maintenon, cannot fail to raise a chuckle. "At the age of seventy, Louis XIV made love to Madame de Maintenon twice a day, much to her annoyance," writes a typically playful Ms. Caro. "At seventy-eight, she consulted her priest to find out if it was really necessary to accommodate her husband; the priest informed her it was her duty as a wife to do so."
There are one or two curious omissions in Ms. Caro's travel itinerary, such as Beauvais Cathedral, which can easily be reached via a regional train and has the tallest Gothic vault in the world. But any traveler using the book as a guide will value the inclusion of such lesser known gems as Chantilly, the aristocratic chateau a short RER ride outside of Paris, which has the second finest art collection in France, after the Louvre.
Ms. Caro's husband is a stalwart admirer of Napoleon I. Her own hero, however, is the great emperor's underrated nephew Napoleon III, because it was he who hired master planner Baron Haussmann to clear the slums of Paris. "In doing so Haussmann transformed the medieval city into a modern nineteenth-century bourgeois city filled with parks and magnificent vistas," writes Ms. Caro. The artists and bohemians who came to people it would complete the picture.


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"I'd rather go to France with Ina Caro than with Henry Adams or Henry James."-Peter Prescott, Newsweek
In one of the most inventive travel books in years, Ina Caro invites readers on twenty-five one-day train trips that depart from Paris and transport us back through seven hundred years of French history. Whether taking us to Orléans to evoke the miraculous visions of Joan of Arc, to Versailles to experience the flamboyant achievements of Louis XIV, or to the Place de la Concorde to witness the beheading of Marie Antoinette, Caro animates history with her lush descriptions of architectural splendors and tales of court intrigue. Organizing her destinations chronologically from twelfth-century Saint-Denis to the nineteenth-century Restoration at Chantilly, Caro appeals not only to the casual tourist aboard the Metro or the TGV but also to the armchair reader of Peter Mayle's A Year in Provence. Caro's passion for and knowledge of France-its soaring cathedrals, enthralling history, and sumptuous cuisine-are so impressive that Paris to the Past promises to become one of the classic guidebooks of our time. 6 maps

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Diners, Bowling Alleys, and Trailer Parks: Chasing the American Dream in Postwar Consumer Culture Review

Diners, Bowling Alleys, and Trailer Parks: Chasing the American Dream in Postwar Consumer Culture
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This is essentially a book of social history, although it brings together the disciplines of economic history, gender studies, architecture, and popular culture. Hurley discusses how diners, bowling alleys, and trailer parks reflected the social values of the 1950s and 1960s. The chapters on the three building types go into excruciating detail; for example, every nuance of diner design and operation is discussed and scrutinized for meaning. The book would have been improved if the author had covered more building types in the same number of pages.
Hurley's overriding theme is laudable: On the outskirts of most towns, there is a region that constituted that community's "commercial strip" during the 1950s and 1960s, before America discovered fast food, shopping malls, and big-box stores. Most of us drive through these past-their-prime commercial strips every day, seeing nothing but obsolete buildings. Hurley points out that these obsolete commercial strips are the equivalent of archeological sites, speaking volumes about how family values have evolved during the past half-century.

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Worship and the Reality of God: An Evangelical Theology of Real Presence Review

Worship and the Reality of God: An Evangelical Theology of Real Presence
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Evangelical / reformed worship can easily be reduced to a few songs, some prayers and the sermon; the sermon being the main focus of the Church gathering. While not neglecting the importance and value of good preaching John Jefferson Davis exhorts the church to rediscover the value and importance of `worship'. For Davis, worship has to be an intentional activity - worship does not just happen but is a learned behavior. To be done successfully, it must be done knowledgeably, intentionally and skillfully. Note the words knowledgeably, intentionally and skillfully. This book is about a thoughtful and intentional approach to what worship is and how that looks in today's evangelical church. The goal, the result of this is not a greater `experience' but the `real' presence of God in our services. Acknowledging that God is there - he is with us and in us and that the church has gathered knowing that the living God is there to meet with us and we are there to glorify Him and to enjoy being in his presence.
Developing a real theology of worship is vital for pastors and Davis' book is really a must read. I was surprised at how good this book is and what a valuable resource it will be to church leaders. This is not just about a good theology of worship but this book should excite you to worship.
Highly recommended.

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Is God missing from our worship?Obstacles to true worship are not about contemporary or traditional music, electronic gadgetry or seeker sensitivity. Rather it is the habits of mind and heart, conditioned by our surrounding culture, that hinder our faith in the real presence of the transcendent God among his people.Sensing a real need for renewal, John Jefferson Davis offers a theology of worship that uncovers the most fundamental barriers to our vital involvement in the worship of our holy God. His profound theological analysis leads to fresh and bracing recommendations that will be especially helpful to all those who lead worship or want to more fully and deeply encounter the glory and majesty of God.

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Cities of Tomorrow: An Intellectual History of Urban Planning and Design in the Twentieth Century Review

Cities of Tomorrow: An Intellectual History of Urban Planning and Design in the Twentieth Century
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Peter Hall (Professor of City and Regional Planning at UC Berkeley) has written many books on urban planning, and this 1988 book is a wonderful summary and history of various progressive "new cities" movements from 1880 to the present.
Hall includes chapters on such subjects as "Cities of Imagination," "Reactions to the Nineteenth-Century Slum City," "The Garden City Solution," "The Birth of Regional Planning," "The City Beautiful Movement," "The Corbusian Radiant City," "The Automobile Suburb," and more.
He begins by noting that "The really striking point is that many, though by no means all, of the early visions of the planning movement stemmed from the anarchist movement, which flourished in the last decades of the nineteenth century and the first years of the twentieth."
Hall opines that "despite doughty competition, Ebenezer Howard (inventor of the "Garden City" concept) is the most important single character in this entire tale." He also observes that "The Stein-Wright Radburn cities are unquestionably the most important American contribution to the garden-city tradition. True, on strict criteria, like their European counterparts they fail to qualify; all three are now long since submerged in the general sprawl of suburbia, and to seek them out on the ground demands a good map and some degree of determination. But as garden suburbs, they mark perhaps the most significant advance in design beyond the standards set by Unwin and Parker."
Despite his enthusiasm, Hall is capable of objectivity: "the new towns are self-evidently good places to live and above all to grow up in; they do exist in harmony with their surrounding countryside and the sheer mindless ugliness of the worst of the old sprawl has been eliminated. But it is not quite as rich and worthy and high-minded as they hoped: a good life, but not a new civilization."
This book will be of considerable interest to persons interested in urban planning, the New Urbanism, Garden Cities, Ecocities, Village Homes, etc.

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Bright Boulevards, Bold Dreams: The Story of Black Hollywood Review

Bright Boulevards, Bold Dreams: The Story of Black Hollywood
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I feel like I had never really seen a Hollywood picture before, now that I have read Donald Bogle's marvelous study of black life in Hollywood on and off screen. The other day for example I saw a inconsequential Fox comedy of the 1950s written by Nunnally Johnson, Oh Men, Oh Women, and in it a spoiled white heiress played by Barbara Rush refuses to exit a New York cab until the driver finds her the correct change. For the moment,the focus of the film is on the hassled driver, who has to contend with Miss Rush's airs, and also with the honks and screams of a dzoen other cabs jammed up behind him. Finally he lets her out for free and he absorbs the cost of his mistake. I didn't recognize the actor who played (briefly) the cabbie, then I waited for the credits. It was Joel Fluellen. A name which would have meant nothing to me, if I hadn't just finished reading Bogle. Joel Fluellen! The forgotten man of the movies dead, alas, too soon, and way before he could reveal his true sexuality.
This performance, brief as it was, is totally calibrated and brings an energy into a movie which sadly needs some! In a way this scene might be an allegory for Bogle's thesis, which is that, even if they were given insulting little to do, African American actors did it stunningly well and the shame of it is how very few of them managed to catch a break all the way to stardom. A few of them did: Lena Horne, Dorothy Dandridge, Sidney Poitier. Because the book basically breaks off circa 1960, we don't get to hear later success stories such as Will Smith or Denzel Washington. This book is all about forebears.
A few nights later I watched a picture of an earlier vintage, CRASH DIVE with Tyrone Power. Oddly for its time, the movie gives a fair amount of screen time to a black actor calkled Ben Carter. If you read BBBD, you will find out Carter's whole story, the way he parlayed his limited experience as a theatrical agent into representing some of Hollywood's biggest black names--and often enough stealing their parts from them, because he'd nab the script and secure the part first if he thought it worth his time!
If you've got one film book to read this year make it Donald Bogle. You'll find it an amazing intervention into a quickly disappearing history.

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The Tourist: A New Theory of the Leisure Class Review

The Tourist: A New Theory of the Leisure Class
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All around the world, especially in those domains inhabited by readers of Lonely Planet publications, a fine (or sometimes not so fine) distinction is drawn between "tourists" and "travellers". Almost always, "tourists" are "them", while "travellers" are "us". Tourists are somebody you can look down on, from the height of your greater awareness, cultural sensitivity, or superior poverty. In the old days, the term "pilgrim" described not only people who went to places like Mecca, Jerusalem or Rome, but also those on the "road of life". It seems to me that all travellers are tourists and vice-versa. Anthropologists too are just tourists with a more professional attitude, intent on telling others what they have found in their in-depth investigations and placing it in an academic framework. If you want to get to the bottom of this whole topic---with all the various ramifications---then you must read MacCannell's book, an essay in the (OK, somewhat arcane) field of the Anthropology of Tourism. It is not a bedtime reading book, but will stimulate plenty of thought.
The author takes the tourist as a model of modern man. He engages in a very effective piece of structural analysis; more effective in my opinion than any ever created by the Old Master, Claude Levi-Strauss. A reader of THE TOURIST will come away having understood everything, not totally baffled by mountains of jargon. The pre-modern world has not disappeared, it has been turned into zillions of tourist attractions. We, the seekers, pilgrims, or, if you like, the tourists, try to get close to the roots of our civilization, to our own origins, by visiting and looking at packaged versions of the past. Where pre-modern societies still exist to some extent, for example, among the hill tribes of Thailand, tourists make great efforts to visit them and, significantly, try their utmost to ensure that their visits are not "packaged" but "real". The tourist wants to penetrate and share the lives of "others", others who are so distinct from ourselves. Tourist satisfaction may be directly correlated to how "authentic" the experience seems to the visitors. That's why having the authentic Hungarian peasant's dinner is important. Unfortunately, you can't really share that dinner if you are travelling with forty other pilgrims in search of authenticity on a large bus. But advertising, as always, can work wonders! Fake authenticity has become the norm.
MacCannell discusses such serious topics as "commodity and symbol", "cultural productions and work groups" and how these relate to work. In subsequent chapters, entitled "Sightseeing and Social Structure", "The Paris Case: Origins of Alienated Leisure", "Staged Authenticity", "A Semiotic of Attraction", "The Ethnomethodology of Sightseers", and "Structure, Genuine and Spurious", the author covers a wide variety of fascinating subjects in a brilliant book which will definitely succeed in making you view tourism in a different way forever afterwards. The pages are crammed with insights, analysis, good examples and interesting observations. This book is the classic work of the Anthropology of Tourism. If you are starting out in the field or are just interested in thinking about tourism in modern life, this is your book. If you are a tourist along the byways of Amazon.com, you might consider making a stop here. You will not find less than an authentic gem.

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Long regarded as a classic, The Tourist is an examination of the phenomenon of tourism through a social theory lens that encompasses discussions of authenticity, high and low culture, and the construction of social reality. It brings the concerns of social science to an analysis of travel and sightseeing in the postindustrial age, during which the middle class acquired leisure time for international travel. This edition includes a new foreword by Lucy R. Lippard and a new afterword by the author.

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Censored 2006: The Top 25 Censored Stories Review

Censored 2006: The Top 25 Censored Stories
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...from the corporate media, and from Project Censored. The team has delivered another volume of the most important stories of the year, which have been ignored or covered up by the mainstream media. In an insult to American traditions of a free press and an informed citizenry, the corporate news industry continues to suppress important stories about corporate hegemony; the errors and crimes of elected leaders (from the dominant party, that is); and most importantly, any story about the modern assault on participatory democracy from the wealthy elite. Uncovering these stories and describing their importance to regular citizens already makes the work of Project Censored incredibly important. However, I have been diligently reading these annual guides for nearly a decade, and this year's edition continues the tendency of the books to undermine the importance of the uncovered news stories.
The main problem is the large portion of this book that follows the year's top stories, in which the team attempts analyses of media behavior. With the exception of strong reports from FAIR and PR Watch, the media analyses here are at worst amateurish, or at best summaries of the type of work done by far stronger experts in the field of mass communications and political economy (such as Ben Bagdikian or Robert McChesney, as just two examples). Here we get only slight introductions to a rich field of knowledge that would be much better explored in books by the experts, rather than the term papers by students that are predominant here. (The more intricately researched, though sarcastic and hyperbolic, submissions from writers like Greg Palast aren't helping much either.)
This running weakness is compounded by absolutely atrocious technical editing. This book is damaged by severe typos on nearly every page – for example, "to reminder us all," "Depart of Defense," or "February 29, 2005." This volume is dedicated to the late investigative journalist Gary Webb, and they even misprinted his date of birth in the large introduction on the first page (he wasn't born in 1995). What we have here is an unprofessional lack of the most basic proofreading, evidenced by the fact that essays by some of the writers contain very few typos, but others are so poorly typed that entire sentences border on incomprehensibility. This is especially a problem in the section that follows up the top censored stories from previous years, with updates written by various students and interns in the project. Sure, typing is a chore and it's not contingent on the believability of one's writing. However, a project that has a few hundred people working on it should have at least one or two technical editors on staff. To avoid the perennial weaknesses of editing and analysis that might forever damage the annual books, it might be a good idea to just stick with the Project Censored website for what's really important – the censored stories themselves. [~doomsdayer520~]

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The yearly volumes of Censored, in continuous publication since 1976 and since 1995 available through Seven Stories Press, is dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.

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Africa Rising: How 900 Million African Consumers Offer More Than You Think Review

Africa Rising: How 900 Million African Consumers Offer More Than You Think
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The strength of this book, which is my reason for giving it four stars, is that provides a positive perspective on Africa that stresses just how much innovation is underway there, a valuable counterbalance to the general bleak evalations of its economic growth, and that it adds to a major and, for me, vital shift in thinking about development and aid. It has a lot of weaknesses when it moves beyond its largely consumer market focus, however.
This is a marketing expert's book, written by someone with first-rate knowledge and a wealth of experience and corporate contacts. It challneges the old development community assumtions about the population in the undeveloped world being largely helpless, ignorant and adrift. That community mostly views its own capabilities as being wiser, knowing better and being more qualified to define plans and investments than they. Its priorities have been grand schemes, infrastructure projects and close collaborations with governemt and international agencies. I strongly recommend Easterley's demolition of this perspective in his book The Whte Man's Burden. Like Africa Rising, he argues for a bottom-up focus on giving local entrepreneurs the tools and limied help they need and will quickly exploit. There is a huge pool of entrepreneurial energy among small business owners, farmers, taxi drivers, entertainment providers and many others. Far from being lazy or ignorant, they are street-smart and energetic. Africa Rising shows plenty of instances, and also points to such multinationals as Unilver and Coca-Cola in stimulating demand and meeting widespread needs. The exammples are interesting and often striking. Nollywood, the rapidly expanding Nigeria-based (hence the "N")is a major producer of films, for instance, and the equal of Bollywood as a social force. Many of the book's examples come from the FMCG field -- fast moving consumer goods -- and the book shows many specific instances in beer, washng powders and househld items. As in all parts of the world, local mobile phone services are another growth area. New airlines are popping up around the region. The total market is an estimated $900 billion economy. The author argues, like Easterley, for Trade not Aid as the driver for growth.
Here, the book achieves its main goal: to provide a picture of Africa as opportunity and Africans as innovators and enrepreneurs. This is the four star element of the book. It is positive and changes how a reader sees Africa.
The weaknesses are when it moves to broader topics. There are too many cases that are really just claims, often from central government, that just do not hold up. For example, one comapny, RGC of Sierra Leone, is reported as having implemented a city-wide Wifi/Wimax service in Freetown (the other two cities are Taipei and Philadelphia. The evidence for this is the much-repeated and often word-by-word inclusion in articles of an RGC press announcement. It's more than dubious, as are the use of comparable paeons to intelligent campuses for software development, favorable comparisons with Singapore and Dubais infrastructure deveopments, examples of major successful government programs in education and many other modernization claims. These do not hold up to detailed exploration and a weakness of the book is its use of scattershot references from magazines and newspapers. The author frequently argues that Africa is in many areas ahead of and richer than India and China. This is not convincing without far more detailed analysis and statistical rather than anecdotal evidence. Many relevant topics are ignored especially the wider social realities of the rural/urban divide. It is a book with no real economic analysis. So, for instance, much is made of Highladd teas, a Kenyan estate that has built up its production and sales of tea. Well.... Kenya is the largest exporter of teas but the prices have halved wordldwide and machnes have displaced thousands of workers. Tea is produced by poor peasants -- the average daily wage is $1-2 in Kenya, China and India. So, yes, the HIghland example is a nice one but it is just that; it doesn't add up to anything beyond the story. While the author mentions in passing the problems of civil war, AIDS and governement corruption, they are the vague background in his opimistic portrayals. Zimbawe includes many small and resourceful entrepreneurs but what is ignored is the mass starvation that is part of the same street scenes and the hospital system is in collapse. The data presented on the wealth of Arica seems very skewed by aggregate figures that seem to be heavily weighted by oil revenues. Very, very little of that income gets passed to workers and to funding of real programs.

Overall, the book presents just a tiny part of a complex picture but it does present it well. It's heavily marketing-centered. It's weak on data and social/political/education/health issues. I disagree with at least half of its analysis and conclusions, which makes it useful in challenging me to shift my own picture and assumptions. This is why I recommend it. It offers a very different focus from alnost all the books I read on international development and my own writing on the topic shares his Trade not Aid viewpoint. This makes it a valuable contribution to the debate and a useful contribution that I wish my World Bank, UN and academic colleagues read.
So, four stars and a thank you to the author for shedding a new light on a topic critical for the future of us all. May Africa continue to rise!

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Profit from the World's Largest Untapped Market: Africa's MORE THAN 900 MILLION Consumers! "This book lays out a powerful portrait of the growing opportunities in Africa. It is clear to us that any global firm interested in growth must see Africa as an essential part of its portfolio." --E. Neville Isdell, Chairman and Chief Executive Officer,The Coca-Cola Company, USA "While we consider Africa one of our most important markets, we are very aware that it is often overlooked as a place to conduct sustainable business. This book shows that Africa offers opportunities equal to other developing regions that receive more attention. Through the Diageo Africa Business Reporting Awards, we have committed to promoting high-quality coverage of the business environment in Africa. This book makes an important contribution in providing a vivid picture of the African market opportunity." --Paul Walsh, Chief Executive Officer, Diageo, UK"This book presents a compelling argument for waking up to the potential of a continent with a population of over 900 million and a high rate of growth. The African continent is rich in natural resources and presents opportunities across a wide cross-section of industrial and commercial areas for companies with appropriate business strategies and a genuine commitment to improving the quality of life of the local population." --Ratan N. Tata, Chairman, Tata Group, India"Unilever has invested in Africa for over a century and is committed to building strong market positions in the region by meeting the needs of African consumers. As this book highlights, the opportunities for consumer goods companies are considerable and the potential to do business in Africa is much greater than many companies realize."--Patrick Cescau, Global CEO, Unilever, UK"Bravo. The timing of this book is perfect. It will be much quoted. I especially like how Professor Mahajan uses the voices of Africans to bring it to life, alongside the research." --Barbara James, former Managing Director of the African Venture Capital Association and founder of the Henshaw Funds, the first independent pan-African private equity Fund of Funds, Nigeria/UKWith more than 900 million consumers, the continent of Africa is one of the world's fastest growing markets. In Africa Rising, renowned global business consultant Vijay Mahajan reveals this remarkable marketplace as a continent with massive needs and surprising buying power. Crossing thousands of miles across the continent, he shares the lessons that Africa's businesses have learned about succeeding on the continent...shows how global companies are succeeding despite Africa's unique political, economic, and resource challenges...introduces local entrepreneurs and foreign investors who are building a remarkable spectrum of profitable and sustainable business opportunities even in the most challenging locations...reveals how India and China are staking out huge positions throughout Africa...and shows the power of the diaspora in driving investment and development. Recognize that Africa is richer than you thinkAfrica is richer than India on the basis of gross national income (GNI) per capita, and a dozen African countries have a higher GNI per capita than China.

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What Teens Need to Succeed: Proven, Practical Ways to Shape Your Own Future Review

What Teens Need to Succeed: Proven, Practical Ways to Shape Your Own Future
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This book should be a requirement in every home. It is wriiten for a teen but shoul dbe read by both parent and child. The concept of the 40 assets is fundamentally simple. The book defines the assets and then gives advice on how the adolescent, parent(s), community,school, and congregation can help to ensure that a child is brought up with all of the assets they need to be a successful person. It has examples of the successes that communities across the country have had setting the concepts of the assets into into motion. The excellence of the book is reinforced by a lecture I attended by Dr. Benson 2 months ago. The concept of the developmental assets being the framework for a successful, well-rounded person makes perfect sense. It should be adopted as a National standard.

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Hollywood Cinema Review

Hollywood Cinema
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I purchased this book as part of a university course. I took the rather radical liberty of reading it right-through before the start of the course. It was not difficult. Packed full of insight into insight Maltby's text has proven to be a real source of enlightenment.
Nearly seven hundred pages make it quite clear that nothing, but nothing, is as it seems. The reader may have a strong political energy or none whatsoever but should realise that making movies works on many political levels. It may be unpalatable but it is often undeniable. A capitalist economy is a reality.
I thought genre was convenient sales language, now I understand how 'emotional landscapes' are used 'to construct ourselves socially.' I've never really been a fan of westerns but when I learn of exactly how they are operating I am most impressed.
Did you know that modern films make their money from rental and sell-through dvds and not the cinema release which only serves to recoup production costs and advertises the product? Well I did not. These are almost trivial asides when it comes to the breadth of Maltby's work. The movie (the word is explained) 'is a performance and not a text.' A construction of camera, editing and scenery. And its time.
'My principle aim,' concludes the author, 'has been to argue that Hollywood cinema must be understood through the specific historical conditions of its circulation as a commercial commodity.' And this is many years before James Cameron's Avatar. Highly recommended.

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This extensively revised second edition offers a comprehensive introduction to Hollywood cinema, providing a fascinating account of the cultural and aesthetic significance of the world's most powerful film industry.
Provides a fascinating account of Hollywood history.
Examines the cultural and aesthetic significance of the world's most powerful film industry.
Explores and interprets Hollywood cinema in history and in the present, in theory and in practice.
Extensively revised and updated with new chapter features including box sections, further reading lists, Notes and Queries, and chapter summaries.


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Media Culture: Cultural Studies, Identity and Politics between the Modern and the Post-modern Review

Media Culture: Cultural Studies, Identity and Politics between the Modern and the Post-modern
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Kellner's research examines the construction of social reality by exploring and analyzing contemporary media culture. His work on understanding how cultural identity is shaped by media is an extremely useful and fascinating critique on modern society. In addition, Kellner offers a well-written overview of some of the theory behind the big ideas and concepts used to interpret our media-based world.

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Media Culture develops methods and analyses of contemporary film, television, music and other artefacts to discern their nature and effects. The book argues that mediaculture is the dominant form of culture which socializes usand provides materials for identity and both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African-American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head , the Gulf-War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. This superb book is a major contribution to the growing debate on culture and politics. Assured, fair-minded and constantly stimulating, Media Culture , written by one of the leading figuresin the field, will be widely read and used by all those interested in the subject of culture.

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SoulTsunami Review

SoulTsunami
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Unlike many books on postmodernism, SoulTsunami gives most time to dealing with ministry implications rather than analysing postmodernism. This practical bent is welcome.
However, Sweet is prone to 'go with the flow' in terms of doing anything to accommodate ministry and church life to the cultural shift. In this sense I found the book too pragmatic in places and with too little obvious theological underpinning.
Another minus: Sweet does not seem to grapple with the issue of overlapping and intersecting cultures. That is, he seems to assume a total postmodern environment rather than recognise that modernism and postmodernism often live alongside one another in the broader culture, in a church (especially intergenerationally)and even within an individual.
So, surprise surprise the book has limits. However, for those struggling to find some starting places in ministry in a postmodern culture the book offers much.
Finally, the 'life-rings' structure for the book and the 'Say What' sections that throw out suggestions, questions, activities etc give the design of the book a thoroughly post-modern feel. Before being irritated by this, readers do well to appreciate that even in this design feature the book is helping them to grapple with the postmodern.

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Traveling Paris: A Complete Travel Guide to the Finest Vacation Getaway in Europe's 2nd Largest City Review

Traveling Paris: A Complete Travel Guide to the Finest Vacation Getaway in Europe's 2nd Largest City
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The book is a good guide for traveling to Paris in a limited budget on a limited time. It tips for getting discount vacation deals, practical tips for packing, tips on getting around Paris and tips on must-see and must-not-see local attractions all to help you plan out a hassle-free itinerary on a tight schedule.

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Paris - the city is well-known for historic monuments, remarkable museums, world-class restaurants, trendy fashions and the famous metropolitan panorama. Superb French food, big-name fashion brands for shopping, monuments, hotels, churches, fountains, bridges and canals that light up Paris every night, parks and gardens with famous statues and out of the ordinary pieces of sculpture, lakes and fountains ...Yes, a trip to Paris can give you all that... that is why it is expensive! You need to consider all costs for travel and leisure in order to feel the over-all Paris experience. The well-budgeted Paris trip can still be staggering to ordinary working people.This book is the complete guide to planning a trip to Paris so you cover all your bases while still keeping in budget. There is loads of money saving and vacation tips that will guarantee you enjoy the ultimate Paris experience. "The City of Lights," "The Most Expensive City In The World" "The World Capital for Fashion," "The Most Romantic City in the World," "The Greenest Capital in Europe," all these reasons make Paris the top vacation destination in the world!

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Yanni in Words Review

Yanni in Words
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Yanni. For as well known as his music is, until now no one has known much about the man. He's given many interviews over the years but has revealed precious little about the events that have shaped his life and set him on a course to unparalleled success in the instrumental music industry. Let's face it, Yanni's success in instrumental music is nothing short of a miracle. There are many other instrumental artists who are just as talented but none have achieved his level of success. Why? Is the music of Constance Demby or David Arkenstone any less moving? Different, yes. But no less moving. Many instrumental artists have the capacity to profoundly affect people in ways that lyrical music cannot. And yet, Yanni is the only one who has reached countless millions around the globe and has even beaten Garth Brooks in concert gross revenue. Whether you love Yanni or find him easy to hate, still you must ask yourself how someone who does primarily instrumental music can reach so many.
Yanni In Words is a very moving and extremely candid autobiography. His honesty about who he is and where he has come from is commendable considering how he has been pigeon-holed as such a gentle soul based on the sound of his music. Has anyone who's seen Yanni perform or heard his uplifting compositions ever pictured him as someone who spent several years in a rock band doing not only original tunes but also ZZ Top cover tunes? Could anyone ever conceive of his having used drugs or of him having been rather promiscuous? Can anyone picture him "bombed", or as a long-time smoker? I've met several people who've put Yanni on a pedestal to the point of making him a god, less than human. Well, if you read this autobiography, there will be no question in your mind. He's just another Joe Schmo like the rest of us! His unending drive and determination just happened to thrust him into the spotlight.
Yanni in Words is a fascinating narrative of one man's determination to get his hard-to-classify music heard. He begins with the events of his days in his birthplace, Kalamata, Greece, where he broke the Greek National Freestyle swimming record at the age of 14, without the benefit of professional training. He continues to his immigration to America at the age of 18 to his tinkering with original melodies on a dilapidated piano in a University of Minnesota college dorm where he studied psychology. He elaborates on his struggles with his first record label, Private Music (now owned by BMG), and moves into his coaching from, romantic involvement and eventual break-up with Linda Evans. He goes into detail on the monumental undertakings which were the 'Live at the Acropolis' and 'Tribute' projects. Both of these stories will inspire the most jaded to continue in perseverance of their own dreams no matter the capacity!
This autobiography is a poignant and completely moving account of how success can be achieved against all odds. As I read it, I laughed aloud as Yanni recounts events such as a dinner he attended one night in China in conjunction with his performance at the Forbidden City. There he drank 'their grappa ' that tastes like socks fermented in gasoline.' He talks about 'suspicious' dishes revolving past him on a lazy susan which he was urged to try because they were Chinese delicacies ' 'parts of animal bodies that I chose not to examine too closely.' About the 'grappa' he says, ' Drink one shot of that and you can eat anything. I remember getting pretty bombed that night and thinking perhaps I should have drunk some before the meal.'
I felt the intensity of his depressed and burned out state as he spoke of staring at his hands upon waking up the day after the Tribute tour ended. 'I realized without a shred of emotion that I didn't care if I ever touched a piano again.' And he didn't ' for an entire year! For a man who lives, eats, breathes and sleeps music, that's pretty amazing - but as he states, he knew he had limits but had never found them. When he did, he crashed and burned!
Some Yanni nay-sayers may call what he has done in writing this autobiography 'calculated'. In other words, he's told his story which has been a relative enigma all these years to capitalize on his success. If that's how some feel, tell me how it's a bad idea to keep the public interested. Quite the contrary! If you want to stay in the public consciousness, you reinvent yourself and plaster your face along with your music everywhere you can! The average person has a very short attention span and they need to see as well as hear something more than once to remember it, particularly in the world we live in where we're constantly bombarded by advertising. While Yanni will certainly receive monetary gain from book sales, I think he had a story to tell; a story he needed to tell. In a recent interview, he said, 'A lot of the fans feel they know me through the music, and they do. They can feel the emotions that I deal with in the music, and they connect with it. I did it (wrote the book) to show that if a little boy from Kalamata, Greece, can do what I've done, then anyone can do it.'
Yanni's honesty in past indiscretions reveals a human being that has learned the lessons of life. His powerful views on creativity and his belief that anyone can not only exercise it, but become successful in it, are proven by his forceful will, unyielding drive and the immense level of success that resulted.
Even if you are not a Yanni fan, I recommend this book. The reason is simple. If you are interested in studying what leads to the achievement of a dream, then here in plain English, is the story of an average flesh and blood man, flaws and all, talking about how he achieved the impossible. It wasn't easy. In fact, some of what he ran up against would seem insurmountable to most people. Is Yanni unique in achieving success against all odds? Certainly not. But his story is inspiring and he is yet another person to study if you have a dream that seems impossible. We all have them and we all need inspiration.

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Yanni is practically a force of nature. With global sales of over 20 million albums, 35 gold and platinum awards, and a fan base of untold millions in nearly every corner of the world, this self-taught musician and composer has achieved a cult-like following. The Washington Post has called Yanni's career 'a miracle, a lesson in pluck that could be taught in business school, preached from pulpits and woven into bedtime stories.' In this long-awaited memoir, Yanni offers an inside look at his fascinating journey, from his boyhood in Greece, where he taught himself to play piano at the age of six, to his current status as a musical star. His path to success was sometimes rocky. With unprecedented candor, Yanni describes his long struggle to separate himself from the 'New Age' label, his ongoing battles with a music industry bewildered by his work, and the depression that threatened to derail his career. With great affection, he also discusses his long relationship with Linda Evans and shares the lessons about love and truth that he's learned from his father along the way.

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Lockdown America: Police and Prisons in the Age of Crisis Review

Lockdown America: Police and Prisons in the Age of Crisis
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Christian Parenti's "Lockdown America" is one of many excellent recent books on crime policy. As do David Cole and Elliott Currie, Parenti contributes to showing the failures of the one-dimensional crime policies of the past 20-30 years, during which time the only acceptable variation on "get tough" has been "get tougher."
"Lockdown" consists of three parts. First, Parenti surveys the development of crime policy over the past 30-odd years. His account is sterngthened by his placement of crime policy in a broader context of important social and economic trends such as growing income inequality and the decline of manufacturing employment, especially in large cities.
The other two segments focus on two groups who are on the front lines of crime policy--the police and prisons. Parenti describes a number of disturbing trends, such as:
-the spread of "zero-tolerance" policing policies, and the enormous increase in lawlessness and violence on the part of the supposed keepers of the law.
-the growing militarization of police forces as seen in the proliferation of paramilitary SWAT teams and similar units, many of which, again, are responsible for wildly excessive use of force.
-the rampant degree to which prison guards engage in violence against inmates as well as formenting such violence among inmates themselves.
Parenti's reporting is first-rate. While his book is not a complete picture of the crime issue--he is somewhat short on solutions--his account is a valuable complement to the more policy-oriented work of Cole or Currie. "Lockdown America" deserves to be widely read.

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Lockdown America documents the horrors and absurdities of militarized policing, prisons, a fortified border, and the war on drugs. Its accessible and vivid prose makes clear the links between crime and politics in a period of gathering economic crisis.

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An Architectural Guidebook to Los Angeles Review

An Architectural Guidebook to Los Angeles
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The long-awaited fifth edition of an LA guide that's often called "the bible" is a major disappointment. Robert Winter is a perceptive scholar of Victoriana and arts and crafts, but he sensibly left modernism to his collaborator, the late David Gebhard. Now he has attempted to do it all, by providing entries on key buildings of the 1990s that he neither likes nor understands, and the result is embarrassing. Gehry, Maltzan, Mayne, Moss, Pei, and Yazdani will be surprised to find themselves bundled together under the label "Neo-Expressionism (Postmodernism)." Disney Hall, which is pictured on the cover, is described in terms of what happened ten years ago (plus cloddish public reactions to the first pictures of the model); there's not a sentence on the completed building. Other adventurous work is dismissed as "very strange." A long-winded entry on the Getty reads like a chatty letter to a friend; most are absurdly brief. The revisions add almost nothing, and are woefully incomplete; the publisher is guilty of gross negligence for not wielding an editorial pencil. Earlier selections have been edited, but the William Cameron Menzies house in Beverly Hills is still there, even though it was demolished three editions ago, along with Gehry's Venice restaurant, Rebecca's. The original 97 percent of the guide remains invaluable and engaging. (Michael Webb is the book reviewer for LA Architect magazine.)

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Known as "the bible" to Los Angeles architecture scholars and enthusiasts, Robert Winter and David Gebhard's groundbreaking guide to architecture in the greater Los Angeles area is updated and revised once again. From Art Deco to Beaux-Arts, Spanish Colonial to Mission Revival, Winter discusses an impressive variety of architectural styles in this popular guide that he co-authored with the late David Gebhard. New buildings and sites have been added, along with all new photography. Considered the most thorough L.A. architecture guide ever written, this new edition features the best of the past and present, from Charles and Henry Greene's Gamble House to Frank Gehry's Disney Philharmonic Hall. This was, and is again, a must-have guide to a diverse and architecturally rich area.

Robert Winter is a recognized architectural historian who lives in Los Angeles, and has led architectural tours through the Los Angeles area since 1965. He is a professor at Occidental College in Los Angeles.


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