Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Writing at the End of the World (Pitt Comp Literacy Culture) Review

Writing at the End of the World (Pitt Comp Literacy Culture)
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Writing at the End of the World asks hard questions. And suggests balanced and hopeful answers: Richard Miller questions the idea that literature is supposed to be magically "transformative" and gives a model of a slow, gradual process of working towards inner change through the teaching of texts and of reading. This is why I call this book balanced.
Miller's writing is engaging and informative. He draws on stories from historical, cultural, and literary texts. His sustained and engaged attention to his sources is a refreshing model of academic writing in the humanities.
I recommend this book for scholars or teachers in the humanities, particularly of writing or literature. Graduate students who are drawn to the questions he asks will benefit from it (if they have time to read it). Advanced undergraduate students could also benefit from it.

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What do the humanities have to offer in the twenty-first century? Are there compelling reasons to go on teaching the literate arts when the schools themselves have become battlefields? Does it make sense to go on writing when the world itself is overrun with books that no one reads? In these simultaneously personal and erudite reflections on the future of higher education, Richard E. Miller moves from the headlines to the classroom, focusing in on how teachers and students alike confront the existential challenge of making life meaningful. In meditating on the violent events that now dominate our daily lives—school shootings, suicide bombings, terrorist attacks, contemporary warfare—Miller prompts a reconsideration of the role that institutions of higher education play in shaping our daily experiences, and asks us to reimagine the humanities as centrally important to the maintenance of a compassionate, secular society. By concentrating on those moments when individuals and institutions meet and violence results, Writing at the End of the World provides the framework that students and teachers require to engage in the work of building a better future.

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Cinema Stories (New Directions Paperbook) Review

Cinema Stories (New Directions Paperbook)
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One of Germany's top filmmakers for several decades (he was born in 1932), Kluge nonetheless does not regard film as a discrete art form. "Film and music are like cousins...[in that] each moves us inwardly". He has also received Germany's top literary award, the Georg Buchner Prize.
Even so, as confirmed in the 39 pieces about "cinema"--"older than the art of film"--Kluge nonetheless possesses a singular, precise, revealing grasp of film. "The stories in this book are subjective." They're concisely anecdotal, seemingly random in unpredictably, somewhat whimsically ranging over subjects as diverse as the architect Rem Koolhaus, a waiter in a German restaurant, Walter Benjamin's famous essay "The Work of Art in the Age of Mechanical Reproduction", costuming, acting styles, filming in Africa, and the cosmos as cinema. (Regarding the last topic, you see what Kluge means with his careful use of the word "cinema" to denote a species of experience.) The vagariousness of the topics actually discloses the intellectual and material sources of cinema as they display the keen directorial and artistic eye of a master filmmaker.

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Harlem is Nowhere: A Journey to the Mecca of Black America Review

Harlem is Nowhere: A Journey to the Mecca of Black America
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I was amazed to learn Harlem's iconographic identity only surged into existence around the beginning of the 20th century when African-Americans from many parts of the country and world showed up in large numbers. They were some of the best and brightest and most determined people of their day, determined to make an impact.
In the 1900's Harlem seemed to have no center but was made up of a vast number of cultures and traditions all blending and hitting against themselves. At its core it was dynamically creative; that was its commonality. These few blocks carved out of the Manhattan Island gave birth to scads of writers, all types of artists, political thinkers. The people were created by their environment just as much as they designed their neighborhood. Maybe in some ways neither people nor place created the other. The place and the people allowed one another to create them(it)self. Place, time and humanity exploded and Harlem as a place and as an idea was born. And we're all the better for it.
As a young writer Rhodes-Pitts moves north from her home state of Texas and begins to absorb Harlem. She does her research but finds more questions than answers, she goes to political meetings and becomes overwhelmed with all the divergent thinking and causes, she stands on the streets watching the many parades, demonstrations, the neighborhood's ever changing spew of notices, sidewalk graffiti, etc. She talks to the residents both the long and short term ones, she goes to funerals, she talks with the unique street people that only Harlem could have. I love how she doesn't come to any hard conclusions but let's herself be awash in the mythology of this place. She doesn't squash out it's legends by trying to pin down a one dimensional Harlem which would have sapped it of blood. She allows it to stay ever changing and vibrant by letting its beauty and lovely seediness continually recreate itself.
This review was based on an ebook galley supplied by the publisher.


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