Variations on a Theme Park: The New American City and the End of Public Space Review

Variations on a Theme Park: The New American City and the End of Public Space
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This is a very thoughtful and provocative collection of eight essays on various simulated spaces which have infiltrated the American landscape. The book's overall thesis is that public space and "authentic" urban life increasingly has been replaced by simulations of urban life, usually as spaces of commodification (e.g. malls, gentrified districts, theme parks). In this process of replacing public space, aspects of American public life--open space for assembly, the interaction of different people, concern for communities--also get erased. While simulated spaces may seem to improve public space and public life, they do so at a cost, one that the critics seem to suggest is the loss of real public space and perhaps even of democracy.
The purpose of this book is not only to describe these spaces, but to oppose them. Each of the authors point to the negative effects of simulated space. In many cases, the essays' implications jump right out of the page and into your neighborhood. Margaret Crawford's essay on the Edmonton shopping mall could be applied to any mall in Anytown, USA. Neil Smith's essay on gentrification points out the high price that comes with "revitalization"; one is reminded of many similiar projects outside his NYC example: Philadelphia, Detroit, Seattle,and so forth. Edward Soja and Trevor Boddy both contribute well-written essays which demonstrate growing chasm between the "haves" and the "have-nots." With these essays, extended and local comparisons with dying urban areas and suburbia, sprawl, gated communities, and so forth are appropriate. Michael Sorkin's own essay on Disneyland turns a well-wrought phrase, and gives the Disney Studies scholar much to think about. (NOTE: Those interested in Disney should read this article if nothing else in the collection, although many of the essays are applicable to the study of Disney.) Of the essays, it is perhaps the one least obviously applicable to "real" life. But then again, Sorkin notes the distance between the simulated environment of the theme park and the reality of the city is decreasing.
Of course, the scholars' analyses are dark and even depressing. And more than once, the authors manage to sound like angry young critics filled with more agenda than action. More than once, extended discussion of the issues raised in the essays would have helped--although many of these authors do have full-length treatments elsewhere--or perhaps alternative perspectives which would have varied the collection's tone and helped sustain readers' interest. And like any collection some of the essays are stronger than others. Overall, though, the collection makes a reader stop and think. Many readers will end up carefully reconsidering 1) the state of American life and its public space and 2) one's participation in these developments. Variations deserves recognition for addressing these issues.

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