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(More customer reviews)Anyone interested in films dealing with social issues will love this book. In the 1910's the movie studios made many films that dealt with the relationship between management and workers. In the 1920's, a combination of lack of funds, censors and powerful movie studios combined to restrict stories of class conflict from the screen. This book explores one-reel melodramas by D.W. Griffith, comedies by Charlie Chaplin that ridicule people in authority, the "Red Scare" films from after World War I, and the films produced by labor activists themselves. It shows how many films used stereotypes of violent strikers that were not realistic. By necessity, this book is sympathetic to labor unions, but that does not interfere with the author's analysis of his subject.
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